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If you want to be published by traditional publishers, you need to find a good copywriter. Without one, you will survive the printing process.
Finding A Literary Agent For Fiction
To find out how to find a good copywriter, I asked Mary Demuth, a copywriter owner. As the author of 46 books, he is no stranger to working with sponsors. She is also an artist, podcaster and speaker who loves helping people heal from the past.
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You’ve heard him speak on the Novel Marketing podcast and teach some of our courses. Maryam recently started her own writing agency. He has been in the industry for a long time, but he just started writing and has opportunities, which makes him a good choice for a writer looking for an assistant.
Usually, people who have been in the organization for many years have a complete list of clients. If they want to find a new writing site, they can cut one of their existing clients. It is difficult to sell yourself and your book to an agent who has a lot of sales.
Mary: A realtor is like a real estate agent who represents a homeowner and sells their property to a buyer. A publisher represents the author (the seller) and finds a publisher (the potential buyer) to buy your book (the information). Like a real estate agent, a copywriter gets paid when they sell your project to a publisher.
Your agent is the link between you and all the publishers you want to get noticed. The only way to publish with a traditional house without having a writer is to publish with a very small house or to put it directly to an editor at a conference.
Here’s How To Find A Literary Agent
Probably 95% of traditional writers are represented by book writers. Agents can negotiate better rates and give you better deals.
They can also protect you from what has been a close relationship between the author and the publisher. An agent can act as a bad guy on your behalf to help you with various aspects of publishing.
Sponsors are powerful in the industry because they represent multiple authors. The sponsor chooses which printing companies to provide.
Publishers and buyers don’t want to criticize authors because a good relationship with an agent means they will get better books. If a publisher rejects an author, they may not be able to offer the book, which hurts their ability to find good books.
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Some publishers have two publishing contracts, one for syndicated authors and one for independent authors. There are internal agreements in the union contract. If you don’t know contracts, it’s best to have an agent who understands the difference between first and second rights, as well as some terminology and technical information.
If you can’t find a good writing assistant and a good publisher, I recommend self-publishing.
In fact, I just received a letter from an author saying that my company, Author Media, was confused with a fraudulent company with the same name.
She is attracted to a con artist who pretends to be a novelist. The letter I received from him was written to him. I looked on Google to see if he was legit and he didn’t have a website.
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This poor woman was scammed by someone posing as an author and signed a mixed publishing deal with a fraudulent company called Author Solutions.
I feel so sorry for him and I reached out to him and told him to stop writing checks because he is being scammed by a con artist.
Thomas: Is it Westbow? Westbow is from the same evil company called Author Solutions. We’re going with names because I’m tired of confusing them.
A writer came up to me at a meeting and said, “This is going to sound silly, but this agent wants to represent me for a big, big book.”
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I asked where they were published and how many books they sold. He only sold 300 books, so I had to tell him, “No lawyer in his right mind would go after an author who only moved 300 copies.” The “helper” is not telling you the truth.
A real estate agent is paid only when work is done, just as a real estate agent is paid when a property is sold. If the agent asks you for money
Thomas: The word agent is business. My law degree taught me that an agent can act on your behalf if there is no conflict of interest. Part of what makes them work for you is that they get what you do. If they negotiate a higher salary for you, their share is higher. It’s an inspiration to all of you.
Affiliates or fake affiliates who are not good at their job may not have 15% of the contracts they bring. They have to get money elsewhere, so they make things to sell to you.
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If you’re wondering why you should give 15% to the author, it’s because 85% of the strawberry is more than 100% of the grape. It’s not about interest. This is for the total amount.
Publishers pay close attention to writers. If a publisher pushes you for important things and you have no way back, it can hurt your entire career.
I have placed authors on small publications so that they can be established in the industry. But for a first-time homeowner working on a small property, selling in advance is a heavy burden. If the author sells well in advance of their first book, they will be attractive to a major publisher as they prepare to publish the next book.
Thomas: The Writers Market is basically a phone book for legal assistants. The Christian Writer’s Market Directory, which has both an online searchable version and a print version, is a great place to find Christian editors, sponsors, and publishers.
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You can trust the market guides that have printed versions because you can check the reviews on Amazon and see if they have a good reputation.
I am currently looking for an art sponsor and one place I came across is Writer’s Digest. They have weekly updates, upcoming or featured. Those agents are new and hungry. They want to represent writers because they don’t have anyone on their list.
Writers’ conferences are great places to connect with agents because the agent-author relationship is personal. As an agent, I don’t want to sign someone I don’t like, so meeting in person is helpful.
I have been asked to find clients through surveys, but I usually get new clients through a friend or face to face at a meeting.
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Thomas: Most affiliates get new customers from existing customers. Building a personal network of fellow writers is important. Writers’ conferences are great for building your network of fellow writers.
But don’t ignore the authors and use of all agents. Be nice to everyone, because the author you talk to may introduce you to their assistant who hasn’t been to the conference.
Mary: I have a group of writers from North Carolina because they are all family. They are friends with each other and they are good.
Thomas: Should a writer start looking for an agent? How do you know if you’re ready to start asking and throwing?
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Identifying your work means you read your work, not your mother. That expert gave you an editor’s note and you listened. If someone in the publishing industry says your job is for publishing, you know you’re ready.
It also doesn’t hurt to have a book idea. It makes you different. Most people who ask for a fantasy just give a short story, a number of words, and a tagline. If you make a donation, it puts you on top of the skinny mountain.
This is where people get mad at me. Generally, publications aim for a minimum of 50,000 followers across all platforms. If you have 50,000 email subscribers, you have them.
An email list is the best thing you can do, but if you have 20,000 followers on Instagram, 10,000 on Twitter, and 20,000 on Facebook, that will work too.
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I’ve had clients with low numbers, but that’s because their book was so amazing it deserved to be on the market. I have an instinct for great work, and publishers fought for those books.
It’s interesting that when I put the coolest, most successful kids in a couple of houses, the publishers said, “He only has 20,000 Instagram followers.”
I asked the editors about this, and they said, “Even if it’s a fantasy, we want the author to be available on all platforms. If they get high numbers, that would be great.”
Thomas: This is true in the secular market, but especially in the Christian market. Publishers need to know that
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